Trajal Harrell’s choreographic performance CAEN AMOUR was dedicated to the American dance icon Loïe Fuller and her impact on contemporary notions of the body.
The tap dancer and choreographer Sebastian Weber worked with the author and director Stéphane Bittoun to look at how tap, as an improvised dance form, deals with its own artistic heritage.
Portrait Series about six contemporary witnesses who helped to shape 20th German dance history. They reflect on milestones in German dance history, as well as their roles in it.
Can dancers' bodies be archives? In his documentary The Body as Archive, the filmmaker Michael Maurissens goes in search of the answer, focusing on dancers as the preservers of choreographic knowledge.
Ballett Rossa at Halle Opera House brought Ulrich’s 1990 dance piece LULU back to the stage with the involvement of the contemporary witness Darie Cardyn.