MAGAZINE

> CHOREOGRAPHY AND COPYRIGHT, A PRACTICE-ORIENTATED PERSPECTIVE

 

An article on art law by Fanny Roy, which you can download here as a PDF.

Fanny Roy is an arts and culture manager with 13 years of international experience. She has managed numerous intercultural projects, acquiring extensive expertise in the arts and culture sector - including at the French cultural centre in Rangoon, as part of Art Basel and FIAC in Paris, as well as in Hamburg at the umbrella organisation for independent performing arts, for the tanz.nord project and in collaboration with the South African choreographer Jessica Nupen.

She completed her academic career in four European countries - at the Sorbonne in Paris, the University of Bologna, the KMM Institute in Hamburg and the SFU Vienna. She specialises in the management, production and strategic development of art and cultural projects.

Listen to the podcast "Choreography and copyright, a practice-orientated perspective" by Fanny Roy (generated by notebookLM based on the published text) :



YOU MIGHT ALSO LIKE:

Video: Jane Dudley – Dance as agitation

Jane Dudley saw dance as a form of political protest. The video shows a reconstruction of her choreography Time is Money, which emerged during the Great Depression.MORE

FRIEDENSANLEITUNG FÜR JEDERMANN – THE 3rd GENERATION

Using the staging of Kriegsanleitung für jedermann as her starting point, the choreographer Yoshiko Waki was looking at Johann Kresnik and his importance for German dance history. MORE

PRINT VERSION