MAGAZINE

> CHOREOGRAPHY AND COPYRIGHT, A PRACTICE-ORIENTATED PERSPECTIVE

 

An article on art law by Fanny Roy, which you can download here as a PDF.

Fanny Roy is an arts and culture manager with 13 years of international experience. She has managed numerous intercultural projects, acquiring extensive expertise in the arts and culture sector - including at the French cultural centre in Rangoon, as part of Art Basel and FIAC in Paris, as well as in Hamburg at the umbrella organisation for independent performing arts, for the tanz.nord project and in collaboration with the South African choreographer Jessica Nupen.

She completed her academic career in four European countries - at the Sorbonne in Paris, the University of Bologna, the KMM Institute in Hamburg and the SFU Vienna. She specialises in the management, production and strategic development of art and cultural projects.

Listen to the podcast "Choreography and copyright, a practice-orientated perspective" by Fanny Roy (generated by notebookLM based on the published text) :



YOU MIGHT ALSO LIKE:

DÉBORDS. Reflections on the Green Table

Olga de Soto’s award-winning documentary/choreographic research showed how Kurt Jooss’s anti-war piece Der Grüne Tisch (The Green Table) enthused and influenced people around the world.MORE

PAX 2013

Leipzig Ballett restaged Uwe Scholz's 1992 choreography Pax Questuosa, which looks at the socio-political situation in the world and in reunified Germany post-Cold War. MORE

PRINT VERSION