here<\/a>.<\/p>\n <\/p>\n
<\/p>\n
*Applications are nore no longer possible*\u00a0<\/span><\/p>\n\u00a0<\/span><\/h3>\n","protected":false},"excerpt":{"rendered":"New article on choreography and copyright Fanny Roy sheds light on how copyright law is applied to dance and choreographic works in Germany – and the challenges involved. Read her article here. *Applications are nore no longer possible*\u00a0 \u00a0<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[382],"tags":[],"class_list":["post-130","post","type-post","status-publish","format-standard","hentry","category-news","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/posts\/130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/comments?post=130"}],"version-history":[{"count":0,"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/posts\/130\/revisions"}],"wp:attachment":[{"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/media?parent=130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/categories?post=130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/tags?post=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}