{"id":343,"date":"2019-11-18T16:30:04","date_gmt":"2019-11-18T15:30:04","guid":{"rendered":"https:\/\/tanzfonds.de\/en\/?page_id=343"},"modified":"2024-11-18T14:41:05","modified_gmt":"2024-11-18T13:41:05","slug":"what-the-body-remembers","status":"publish","type":"page","link":"https:\/\/tanzfonds.de\/en\/what-the-body-remembers\/","title":{"rendered":"What the body remembers"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1843 size-full aligncenter\" src=\"https:\/\/tanzfonds.de\/wp-content\/uploads\/2019\/11\/Was-der-Koerper-erinnert.jpg\" alt=\"\" width=\"510\" height=\"224\" \/><\/p>\n<div class=\"image-slideshow-block content-block\">\n<p>The legacy and heritage of dance is immaterial. Yet contemporary dancers and choreographers are still building on an incredibly rich and powerful modern history, which covers more or less the entire 20th century. Artists such as Isadora Duncan, Mary Wigman and Valeska Gert stand for emancipation, for liberation from gender roles, for utopian awakenings and political appropriation, but also for resistance against societal conventions. Post-war modernism behaved in similar ways, be it dance theatre in Germany, Butoh in Japan, modern and postmodern dance in the United States or contemporary dance in France and Belgium.<\/p>\n<p>They each contribute to The Century of Dance, a subject to which the Akademie der K\u00fcnste was dedicating an exhibition, a festival, an international campus and a book publication late summer 2019, knowing full well that this was assuming a perspective from Germany and Europe.<\/p>\n<div class=\"text-epilog\">\n<p>The topicality of Germany&#8217;s dance heritage is gaining momentum and visibility worldwide, above all through the activities of TANZFONDS ERBE over the past eight years.<\/p>\n<p>In the special event series at the Akademie der K\u00fcnste&#8217;s Hanseatenweg venue, the heritage of Expressionist dance as well as pieces ranging from Merce Cunningham and Tatsumi Hijikata to Anne Teresa De Keersmaeker and Xavier Le Roy will be performed as contemporary art.<\/p>\n<p><a href=\"https:\/\/www.adk.de\/en\/projects\/2019\/tanzerbe\/\" target=\"_blank\" rel=\"noopener noreferrer\">&gt; Further information and program overview<\/a><\/p>\n<p>A programme of the Akademie der K\u00fcnste, Berlin. In cooperation with Bureau Ritter and the German Federal Cultural Foundation.<br \/>\nFunded by the Federal Agency for Civic Education (bpb) and the Institut Fran\u00e7ais Germany.\u00a0In collaboration with Tanz im August and Hamburger Bahnhof \u2013 Museum f\u00fcr Gegenwart \u2013 Berlin.\u00a0The Master class will supported by the Sharing Heritage program.<\/p>\n<p><a href=\"https:\/\/tanzfonds.de\/wp-content\/uploads\/2019\/11\/KSB-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1855\" src=\"https:\/\/tanzfonds.de\/wp-content\/uploads\/2019\/11\/KSB-1.jpg\" alt=\"\" width=\"140\" height=\"57\" \/><\/a><a href=\"https:\/\/tanzfonds.de\/wp-content\/uploads\/2019\/11\/Logo-Sharing-Heritage.png\"><img loading=\"lazy\" decoding=\"async\" class=\"sharing-heritage alignnone wp-image-1854\" src=\"https:\/\/tanzfonds.de\/wp-content\/uploads\/2019\/11\/Logo-Sharing-Heritage.png\" alt=\"\" width=\"108\" height=\"59\" \/><\/a><\/p>\n<p><a href=\"https:\/\/tanzfonds.de\/wp-content\/uploads\/2019\/11\/014.AdK_medium-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1856\" src=\"https:\/\/tanzfonds.de\/wp-content\/uploads\/2019\/11\/014.AdK_medium-300x58.jpg\" alt=\"\" width=\"181\" height=\"35\" \/><\/a><a href=\"https:\/\/tanzfonds.de\/wp-content\/uploads\/2019\/11\/Logo_BBKM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1860\" src=\"https:\/\/tanzfonds.de\/wp-content\/uploads\/2019\/11\/Logo_BBKM.png\" alt=\"\" width=\"198\" height=\"61\" \/><\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The legacy and heritage of dance is immaterial. Yet contemporary dancers and choreographers are still building on an incredibly rich and powerful modern history, which covers more or less the entire 20th century. Artists such as Isadora Duncan, Mary Wigman and Valeska Gert stand for emancipation, for liberation from gender roles, for utopian awakenings and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/tanzfonds.de\/en\/what-the-body-remembers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;What the body remembers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-343","page","type-page","status-publish","hentry","entry"],"acf":[],"_links":{"self":[{"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/pages\/343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/comments?post=343"}],"version-history":[{"count":0,"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/pages\/343\/revisions"}],"wp:attachment":[{"href":"https:\/\/tanzfonds.de\/en\/wp-json\/wp\/v2\/media?parent=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}