Inhabitants in Berlin, Tel Aviv and New York were invited to write letters to dance. The letters were not only be published in a single volume but were also used as material for three participatory choreographies created by deufert&plischke.
For the second time in the TANZFONDS ERBE initiative, Reinhild Hoffmann was passing on one of her choreographies to a new generation of dancers. This time, Staatstheater Braunschweig was restaging her 1991 piece Zeche Eins.
The ballet company at Saarländisches Staatstheater is reconstructing Gerhard Bohner’s 1971 work The Tortures of Beatrice Cenci, described by the FAZ newspaper as “Germany’s most successful post-war ballet”.